THE
AMAZING CHINESE ACROBATS Swansea Grand Theatre The
West's fascination with Eastern culture has gathered momentum over the decades,
to the extent where it has been appropriated and absorbed into our own popular
culture - reaching its zenith in Hollywood action movies such as The Matrix Reloaded
and Kill Bill.
This show, touring the UK for the first time ever and featuring
the award-winning Anhui Acrobatic Troupe, has more in common with the disciplines
of the circus than those of the martial arts dojo - but the sheer athleticism
and showmanship on display here is nothing short of breathtaking, and I would
defy anyone to sit through this performance without smiling. The show opens
with a Millennium Dome-style aerial act which sets out to tell the story of a
pair of ill-starred lovers and which involves some very intricate mid-air manouevres:
from here the production opens up into a series of thrilling set-pieces in which
the skills of the performers - both male and female - are stretched to the limit. There
are a number of impressive routines involving wooden chairs, which are stacked
on top of each other time and time again until the person standing at the top
is almost out of sight: another sequence has the acrobats perched upside down
on the back of each chair, holding themselves up with just one hand. The
linking sequences, clearly intended to fill in time between the more spectacular
aerial and balancing acts, are perhaps the weakest parts of the show - though
the exotic Eastern mood is maintained throughout and the pace never flags. The
troupe is currently in the middle of an extensive tour which will culminate in
a two-week stay at London's Peacock Theatre from November 17-29, and I would recommend
it to anyone who hungers for that rarest of theatrical animals - a real, honest-to-
goodness family show designed to appeal to all ages. Truly amazing in every
sense of the word - and certainly more compelling than the idea of some daffy
American performance artist locking himself inside a glass cage for weeks on end.
The likes of David Blaine could learn a lot about pushing one's body to the limit
from a show such as this, which - in the words of British-Chinese impresario Liu
Li Wood - demonstrates that "art has no borders". |